Over the spanning nearly four centuries, the transatlantic slave trade resulted in 12.5 million Africans forcibly taken from their homelands to the Americas. A devastating 1.8 million of those souls died during the Middle Passage, enduring unfathomable conditions of overcrowding, filth, and illness. Many took their own lives by throwing themselves overboard, while still more were forcibly cast into the sea.
In The Zorg, author Siddharth Kara weaves together two parallel narratives. The first chronicles a harrowing incident aboard the namesake slave shipâthe systematic drowning of 132 captive individuals by its British crew. The second story explores how this event came to influence the ending of the Atlantic slave trade in 1807, driven in large part by the dedicated work of a coalition of abolitionist activists. Among them was Olaudah Equiano, who authored one of the rare first-person accounts of the Middle Passage, describing it as âa scene of horror almost inconceivableâ.
The tale originates in Liverpool, a port city that at the peak of its prosperity was accountable for 40% of Europe's slave trafficking. Financing slavery was a lucrative venture for not just the wealthy but also the working classes. One such investor, William Gregson, accumulated his earnings from rope-making, invested them into the slave trade, and eventually became a prominent citizen and later mayor. Gregson provided the funds for the slave ship The William, which departed from Liverpool for West Africa in October 1780 under Captain Richard Hanley. Its hold was filled with commodities like tobacco, firearms, knives, and so-called âIndia goodsâ such as chintz and cowrie shellsâthe latter being a common currency in the purchase of human beings.
Around the same time, a Dutch slave vessel named the Zorg (later anglicized by the British as the Zong) had departed the Netherlands. With Britain declaring war on the Dutch in late 1780, the Royal Navy gave British ships permission to capture Dutch ships at seaâa virtual sanctioning of piracy. The Zorg was subsequently taken by a British captain and anchored off the Gold Coast. Meanwhile, Captain Hanley, during one of his voyages, took aboard a fleeing British governor named Robert Stubbs, who had been removed for graft.
When Hanley reached Cape Coast Castleâa stronghold with a vast holding cell beneath itâhe took command of the captured Zorg. He then severely overcrowd it with enslaved people, placed a dozen of his own crew on board, and appointed Luke Collingwood, a ship's surgeon of questionable nautical skill, its captain. In August 1781, the Zorg finally left Accra carrying 442 captives, 17 crew members, and one notorious passenger: the former governor, Robert Stubbs.
Kara excels in using historical documents to bring to life the collective nightmare of being trafficked on a slave ship.
The Zorg's journey was plagued with disaster. Dysentery ravaged the vessel, and then scurvy. The captain fell ill, lost his senses, and appointed Stubbs. Thus, âa ship full of decay and death was being commanded by a passenger.â Kara effectively employs period testimonies to paint a picture of the sheer horror. The powerful testimony of Alexander Falconbridge, a ship's surgeon turned abolitionist, describes how the enslaved people's skin was often rubbed raw to the bone from being packed on bare wood, their flesh pinched and torn between the planks.
By late November 1781, the Zorg was still miles from Jamaica and critically short on water. The crew made the decision to jettison a number of the enslaved Africans, who had already suffered through months of obscene conditions below deck. This unspeakable act was not motivated by ensuring survivalâthe Africans had pleaded to be allowed to live, even without water rationsâbut by cold economic greed. Ship insurance policies did not cover losses from natural causes, but they did cover cargo jettisoned out of ânecessityâ for the ship's safety. Over several days, the crew drowned âthose Africans who would be worth less at auctionââthe weak, the sick, along with women and children, even a baby born during the voyage.
Back in Liverpool, investor William Gregson was unhappy about the profit on his investment. He submitted an insurance claim for ÂŁ30 per lost slaveâa considerable sum in today's money. The insurers declined to pay. In March 1783, Gregson sued and was awarded a trial by jury, with his lawyers claiming that throwing the enslaved people overboard had been ânecessary.â
According to Kara, âthere is a direct line of causality between the public exposure of the Zorg murders and the first movement to abolish slavery in England.â Merely twelve days after the trial, an anonymous letter appeared in a prominent English newspaper. The author, who claimed to have been present the court proceedings, made a powerful case against slavery, citing the Zorg case as a key illustration of its brutality. Olaudah Equiano saw the letter and took it to the abolitionist Granville Sharp, who filed a motion for a new trial. At the subsequent hearing, the events on the Zorg were examined in meticulous detail, exactly what the abolitionists had wanted.
In the spring of 1787, the founding members of the Society for Effecting the Abolition of the Slave Trade convened. Over the following years, they wrote letters, orated, lobbied tirelessly, and meticulously documented the realities of the slave trade. âTheir efforts,â Kara writes, âwould lay a blueprint for the pursuit of social justice.â After years of struggles, the Act for the Abolition of the Slave Trade was enacted in 1807.
The question of who or what deserves credit for abolition is a matter of debate. The Zorg's influence, however, is powerfully captured by J.M.W. Turner's famous painting, The Slave Ship, which was based on the events of 1781. While slavery has been near-universal in human history, its abolition following a sustained mass campaign was historic, serving as an affirmation to the power of moral courage, the pen, and unwavering persistence.
In contrast to his other workâsuch as the Pulitzer finalist Cobalt RedâKara has had to fill in certain gaps in the historical record. At times, imaginative flourishes sit awkwardly next to scrupulously factual accounts, giving the book a slightly chimeric feel. A blend of narrative suspense and part historical analysis, The Zorg nevertheless manages to shedding light on one of history's most horrific episodes, using compelling prose and meticulous research to assemble a account that haunts the reader well after the final page.
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